Academic
Programs - Graduate
Director
of Graduate Studies:
Prof. Thomas Harrison, 350 Royce Hall. UCLA, Los Angeles, CA 90095-1535
(email: harrison@humnet.ucla.edu).
Graduate
Student Officer: Ms. Kerry Allen, 212 Royce Hall. UCLA,
Los Angeles, CA 90095-1535 (tel: 310-825-1147 / email: allen@humnet.ucla.edu).
The
following constitutes introductory information regarding our graduate
programs in Italian. For more detailed information concerning graduate
study in Italian, and at UCLA in general, including policies, collaborative
work at other University of California campuses and abroad, scholarships,
teaching assistantships and fellowships, see the site http://www.gdnet.ucla.edu/, where the following
links are especially pertinent:
- Program
Requirements for UCLA Graduate Degrees
- Standards
and Procedures for Graduate Study at UCLA
The
above web site also contains details about the TOEFL, GRE, and many
other matters referred to in the information that follows.
Graduate
Study
The
Department of Italian offers the Master of Arts (M.A.) and Doctor
of Philosophy (Ph.D.) degrees.
Qualified students may also be approved to spend a year
of their graduate study at one of a number of universities in Italy.
Most
students are admitted to the Italian graduate program with either
a teaching or a research fellowship, both of which come with financial
remuneration. A dozen other, competitive scholarships are also available
at UCLA.
Students
who are accepted into the graduate program typically have an excellent
opportunity to teach on our summer program in Florence, Italy and
at UCLA (generally seven instructors per year are hired).
Admission
to the M.A. and Ph. D. (in the fall only)
Deadline
for all applications: December 15.
Graduate
programs are applied to electronically, on-line, by submitting the
UCLA Application for Graduate Admission at the web site
http://www.gdnet.ucla.edu/.
Personal
queries may be addressed to the Graduate Student Officer, either
by e-mail or telephone. More academic issues may be addressed to
the faculty.
Three
letters of recommendation will be required to accompany a student's
formal application, along with scores on the Graduate Record Examination
(GRE), which is administered only at fixed times of the year and
should be taken months ahead of the application. International students
whose first language is not English will also be required to pass
the TOEFL test.
Master's
Degree
Areas of Study
The
M.A. degree in Italian is available in one of the three areas of
specialization, which the student should select upon application:
Italian Literature, Italian Language, and Italian Cultural Studies.
Course requirements differ according to the chosen specialization.
Each M.A. degree may be pursued along either the Comprehensive Exam
Plan or the Thesis Plan, though the latter is exceptional (see below).
Course Requirements
Italian
Literature Specialization. For both the comprehensive examination
plan and the thesis plan, ten courses are required, including Italian
205A, 205B, and 225. The other seven courses must be distributed
in three main literary periods: Middle Ages, Renaissance, modern.
With approval of the faculty, up to two of the seven courses may
be individual research courses (596) or Italian upper division courses.
Related courses in other departments, such as History 205A, 205B,
and Art History 230, may also be approved. In each of these cases,
students must petition the Italian faculty to accept the proposed
substitution of courses through a letter addressed to the Director
of Graduate Studies.
Italian
Language Specialization. The prerequisite to pursuing this
M.A. is a general grasp of linguistics equivalent to our Linguistics
20 and 110, in addition to general familiarity with Italian literary
and cultural history. Ten courses are required for both the comprehensive
examination plan and the thesis plan, including Italian 222A, 222B,
225, and Linguistics 202 or its equivalent. The other seven courses
must be in the 200 series.
Italian
Cultural Studies Specialization. This M.A., especially
suited toward those whose primary interests are not literary, offers
two separate tracks:
- medieval
and early modern
- modern
and contemporary
Nine
courses are required, at least five of which must be in the 200
series.
(a)
Medieval and early modern:
One
course in medieval/early modern Italian history (required)
Two courses in medieval/early modern Italian literature and cultural
(required)
One seminar in the theory and practice of cultural studies
One course in medieval/early modern Italian art of architecture
and urban design
One course in medieval/early modern Italian musicology
One course in medieval/early modern Italian thought
One course in medieval/early modern Italian political and juridical
institutions
One course in the history of the Italian language
Pre-approved
courses include: Art History 200, 226A, 226B, 229, 230, 231, 240;
Architecture and Urban Design 288A, 288B; History 220A, 220B, 222A,
222B, 226A, 226B, 229A, 229B, 229C; Italian 214A, 214B, 214C, 214D,
214E, 214F, 215A, 215B, 216A, 216B, 216C, 216D, 216E, 217, 250A,
250B, 250C, 250D, 251, 252, 253A, 253B, 253C, 254, 255A, 255B; Musicology
C227C; Philosophy 206, 207; Political Science 210A, 210B.
(b)
Modern and contemporary:
Two
courses in modern/contemporary Italian literature and culture (required)
One course in modern/contemporary Italian history (required)
One seminar in the theory and practice of cultural studies (required)
One course in film and media or theater
One course in design and/or architecture and urban design or art
history
One course on modern/contemporary Italian thought
One course on political/juridical institutions of modern Italy
One course in geography or economics, anthropology, or folklore
Pre-approved
courses include: Anthropology 260, 263P; Art History 200, 244, 245;
Architecture and Urban Design C280, C282B; Urban Planning 245; Economics
181B, 190, 241; Film and Television 206A, 218, 219, 220, 270; History
M230A, M230B, 231A, 231B, 234A, 234B; Italian 218 through 230B,
256A through 298; Musicology 200A, 260D, 260E, 260F; Philosophy
216, C219, C247, 280; Political Science 220, 231, C246A, 246B; Theater
202D, 202E, 202F, 202G.
The Comprehensive
Examination Plan
A
comprehensive examination follows completion of M.A. course work.
It consists of (a) a written examination of at least three hours
based on an individualized reading list, and (b) an oral examination
following the written (though not immediately). If a student fails
either part of the examination, he or she may be reexamined once
more, if that is the recommendation of the examination committee
and Chair of the department. In the case of the M.A. student specializing
in literature, the Comprehensive Exam in literature may act as gateway
to the Ph.D. It amounts to Part I of the Ph.D. Qualifying Exam.
The
Italian Literature Specialization
The exam here is based on an individualized reading list, prepared
by the student in consultation with the Director of Graduate Studies
and a departmental faculty member of their choice. This list will
be based on the much larger Comprehensive M.A. Reading List (available
from the Graduate Student Officer). The chosen faculty member will
chair and help form the M.A. exam committee, composed of three members,
all Italian ladder faculty or, with approval of the Graduate Director,
of ladder faculty and visiting faculty. The reading list must be
submitted for approval to all members of the M.A. exam committee
at least one month prior to the exam.
The individualized list will follow these guidelines:
- It
must include between 15 and 25 texts, depending on length and
complexity, chosen from the comprehensive list. Students can substitute
texts not on that list with individual approval.
- The
chosen texts must be distributed among at least seven centuries
and present a balance of genres.
- The
list must be organized into three general categories on the following
model:
A
literary genre (e.g., the lyric, the novel, epic, comedy, tragedy,
autobiography, etc.)
A
critical problem or interpretive question (e.g., realism and representation,
symbol, myth, allegory, point of view, irony, parody, romanticism,
classicism, ideology, commitment, tradition vs. innovation, the
status of the signifier, the question of gender, etc.)
A
theme (e.g., passion, time and memory, silence, desire, nature,
community, male-female relationships, authority, class conflict,
war, the representation of the self, etc.)
- Each
category must contain at least five texts, spanning at least three
centuries. Some texts may occupy more than one category, so long
as each category contains five texts that do not.
- Dante's
Divina Commedia must be on every student's list.
EXAMPLE
A:
Genre:
Comedy. Dante, Divina Commedia; Lorenzo de Medici,
La Nencia da Barberino; Machiavelli, La mandragola;
Goldoni, La locandiera; Dario Fo, Le commedie (selections)
Critical
Problem: What is realism? Boccaccio, Il Decamerone; Vico,
La scienza nuova; Manzoni, I promessi sposi; Verga,
I Malavoglia; Serao, Il paesa di cuccagna; Pirandello,
Il fu Mattia Pascal; Aleramo, Una donna; Deledda,
Marianna Sirca; Fenoglio, Il partigiano Johnny.
Theme:
Passion. Cavalcanti, poesie, Ariosto, Orlando Furioso;
Tasso, Aminta; Torquato Accetto, Della dissimulazione
onesta; Alfieri, Mirra; Leopardi, Canti; Neera,
Teresa; D'Annunzio, Forse che sì forse che
no; Marinetti, Teoria e invenzione futurista (selections);
Pasolini, Le ceneri di Gramsci; Gruppo 63, I novissimi;
Amelia Rosselli, Variazioni belliche
EXAMPLE
B:
Genre:
The Novel. Foscolo, Ultime Lettere di Jacopo Ortis; Manzoni,
I promessi sposi; Verga, I Malavoglia; Neera, Teresa;
Deledda, Canne al vento; D'Annunzio, Il piacere;
Gadda, Quer pasticciaccio brutto de Via Merulana; Ortese,
L'iguana; Calvino, Se una notte d'inverno un viaggiatore
Critical
Problem: Commitment. Guittone d'Arezzo, Rime (selections);
Dante, Divina Commedia; Coluccio Salutati, selections; Machiavelli,
Il principe; Campanella, La città del sole;
Parini, Odi; Gramsci, Lettere dal carcere; Vittorini,
Uomini e no; Morante, La storia
Theme:
The Representation of the Self. Petrarca, Canzoniere;
Leopardi, Canti; Pirandello, Enrico IV; Svevo, La
coscienza di Zeno; Ungaretti, Vita di un uomo; Antonia
Pozzi, Parole; Zanzotto, La beltà
The
exam will present students with a choice of up to three essay questions
for each category on the list. The student will answer one question
for each category (or three essays of one hour each). One week after
the completion of the written exam, a one-hour oral examination
with the three members of the exam committee will address the student's
performance on the written exam. He or she will also be expected
to have a comprehensive grasp of the general development and periodic
shifts in Italian literary history. Please consult with your exam
director for textbooks, histories, and critical works that may be
helpful in preparing for the exam.
Thesis Plan
This
plan is recommended only for research-oriented students of exceptional
merit. Students who have completed the first year of graduate work
with at least a 3.7 grade-point average may be nominated by one
of the faculty members of the department for application to the
thesis plan. If the nomination is accepted by the faculty, a three-member
thesis committee is submitted to the Graduate Division for appointment.
At this point the student must have completed Italian 205A, 205B,
and at least two other graduate courses in Italian. On acceptance,
the thesis committee helps the student choose six more graduate
courses in preparation for the thesis.
The
thesis must be at least 50 pages long and formatted in accordance
with University regulations. It must be submitted by the sixth quarter
of graduate work and follow the guidelines of the Policies and
Procedures for Thesis and Dissertation Preparation and Filing,
available in 330 Powell Library.
Upon
submission of the thesis, the student will take an oral examination
that tests his or her knowledge in the chosen field and general
competence in Italian literature.
Foreign Language
Requirement
A
reading knowledge of one foreign language other than Italian is
required of all M.A. students. The choice of language must be approved
by the graduate adviser. Students may demonstrate reading knowledge
through departmental examination or successful completion of coursework
in that language through at least level 3. This requirement must
be met at least one quarter before the Comprehensive Examination.
Advancement
to Candidacy
Students
must file advancement to candidacy forms for the master's degree
no later than the second week of the quarter in which they expect
the award of the degree. See the Graduate Student Officer.
Time-to-Degree
The
time to the master's degree is two years, or six academic quarters.
Doctoral Degree
Admission
The
Ph.D. degree is in Italian Literature. Students may apply by meeting
"University minimum requirements for graduate admission"
and submitting the UCLA Application for Graduate Admission.
Find the application and more detailed information at http://www.gdnet.ucla.edu/.
Students
who have at least a B.A. degree are entitled to apply directly to
the Ph.D. program; they do not have to apply for an M.A. first.
(They will, of course, be expected to complete the M.A. requirements
en route.)
Applicants
who possess an Italian M.A. degree from an American university deemed
by this Department to be a peer institution will be credited with
their M.A. and will be eligible to enter the Ph.D. program directly.
Students with an M.A. degree from an institution in Italy which
this department deems to be a peer institution can be admitted directly
to the Ph.D. program, but will be required to pass the M.A. Comprehensive
Examination no later than the end of their third quarter of graduate
study. Students entering the graduate program with a B.A., or with
a university degree in a discipline other than Italian literature,
will be required to pursue the entire course of the M.A. program,
and in some cases additional courses if deemed necessary by the
faculty, before passing the Comprehensive Examination. As with all
M.A. students, performance on the comprehensive exam will dictate
whether they will be allowed to proceed to the Ph.D. program.
Advising
Following
completion of the M.A. exam, students will be urged to select, within
their first quarter and in consultation with the Graduate Director,
a faculty member to serve as their adviser, who may also agree to
become the chair of the student's doctoral guidance committee. This
doctoral committee must be constituted at least one quarter prior
to taking Part II of the Ph.D. written qualifying examinations.
This committee prepares and administers Part II of the exam once
the ten-course Ph.D. requirement and other preparatory work have
been completed.
All
students should take Part II of the qualifying exams by the end
of their sixth quarter in residence as a Ph.D. student (or no later
than six quarters after taking Part I of the qualifying exams, which
is equivalent to the M.A. Comprehensive Exam).
Major and Minor
Fields
A
Ph.D. student will generally select as a major field of study two
centuries of Italian literature (medieval, Renaissance/baroque,
or modern/contemporary). Two other centuries of Italian literature
can comprise the minor field. He or she might also chose a minor
field outside of the department if it is closely tied to the major
area of specialization and meets with the approval of the entire
faculty (eg., cinema, history, art history, etc.). With careful
planning, majors and minors may be period based, may deal with a
specific genre, movement, theme, or critical question (e.g. lyric
poetry, short story, realism, modernism, feminism, allegory, the
border, identity, etc.), may address a relationship between Italian
literature and another medium (e.g. cinema, painting, music, politics,
history, etc.).
Foreign Language
Requirement
A
reading knowledge of two of the following foreign languages is required:
Latin, French, German, or Spanish. Students will demonstrate reading
knowledge of their two languages by successful completion of UCLA
undergraduate language coursework through at least level 3 or by
a departmental placement exam. A language used to satisfy the requirement
for the M.A. degree in Italian may be applied toward fulfillment
of one of the two language requirements. Language requirements must
be satisfied before taking Part II of the qualifying examinations.
Course Requirements
In
addition to the courses required for the master's degree, at
least ten other quarter courses are required. Students admitted
to the Ph.D. program who have not previously taken Italian 205A,
205B, and 225 or their equivalents are required to take them immediately.
Students who wish courses taken in another department of university
to be deemed equivalent to these must submit a detailed letter of
petition addressed to the Director of Graduate Studies. Two relevant
courses taught in other graduate programs at UCLA may be counted
toward the ten courses required for the Ph.D. in Italian provided
that students receive the entire faculty's approval, via a similar
letter of petition addressed to the Director of Graduate Studies.
Written and
Oral Qualifying Examinations
The
M.A. Comprehensive Examination in Italian serves as Part I of the
written Ph.D. qualifying examinations.
Part
II consists of additional written and oral qualifying examinations.
The written and oral exams of Part II must be taken during the same
academic year, though not necessarily the same quarter. They should
be administered no later than six quarters after completion of the
M.A. degree. Students should make preparations for these exams,
and receive all necessary approvals, by the end of their fifth quarter
in residence. Scheduling these exams is also the responsibility
of the student (assisted by the Graduate Student Officer).
Part
II of the qualifying exams consists of a written Minor Exam, a written
Major Exam, and an Oral Examination. Half of the Oral Examination
is devoted to a detailed discussion of the student's Dissertation
Prospectus.
Nearing completion of their coursework, students choose an exam-and-dissertation
director - a ladder-rank member of the faculty of the Department
of Italian - to head a committee of four faculty members. This committee
composes and evaluates the exam. One of the four must be an "outside
member" - a professor from another department or another UC
campus, ideally familiar with the student's work.
Students choose two areas of study (see above), each approved by
the exam director and committee at least one month before the exams.
The committee approves two suitable reading lists, one of at least
10 to 15 texts for the minor exam, and the other of 20 to 30 texts
for the major. Whenever possible, the student's reading list
should be structured with a view toward the interests of the upcoming
dissertation.
Minor
Exam (4 hours): requires answering one comprehensive, multi-textual
essay question out of a choice of three, in a single sitting.
Major
Exam (6 hours): requires answering two essay questions out of
a choice of six, also in a single sitting. The first question will
ask for a textual analysis, or close reading of a specific passage,
extrapolating information about the author's achievement as
a whole as well as broad patterns in Italian literary history. The
second question asks for a multi-textual interpretation, comparative
or historical in nature.
Oral
Exam (2 hours): to be taken no later than one quarter after
the two written exams. At least one month before the oral, the student
must have chosen and researched a dissertation topic. This work
will have resulted in a Dissertation Prospectus of no less than
15 pages, plus a substantial critical bibliography, circulated among
the members of the doctoral committee. Close work with the dissertation
director, and patient acts of revision, are advised. The first half
of the oral examination will discuss the recent written qualifying
exams, the second half will focus on the dissertation prospectus.
Members of the committee will be especially interested in the cogency
and originality of the proposed dissertation topic.
As with all parts of the doctoral exams, a student may pass, fail,
or, in the case of a less than satisfactory performance, be scheduled
to repeat a variation of the same exam at another date. No exam
in the graduate program can be repeated more than once.
Advancement
to Candidacy
Students
are "advanced to candidacy" and awarded the Candidate
in Philosophy (C.Phil.) degree upon successful completion of the
written and oral qualifying examinations. A dissertation defense
upon completion of the dissertation is not required in the Department
of Italian except in extraordinary cases.
Time-to-Degree
Students
are given a total of six years to complete their Ph.D. degree beginning
from the time they embarked on the M.A.
Incomplete
Grades
The
grade "I" (Incomplete) is assigned when a student's work
is of passing quality but is incomplete for good cause. To remove
the "I" the student must complete the work of the course
by the end of the following quarter.
Employment
and Degree Programs
Graduate
students are limited to a maximum of 12 quarters of appointment
in academic apprentice teaching titles (teaching assistantships)
and a maximum of 18 quarters when a TAship is combined with a research
fellowship. Graduate students appointed to any title are limited
to a maximum of 50 percent time employment during the academic year.
This means that they cannot take on additional employment at UCLA
if they have a TAship.
COURSES
*
Three courses per term are considered the normal enrollment
for graduate students.
*Courses
and seminars which can fulfill the minimum graduate
course requirement of all advanced degrees are numbered
in the 200 series. Courses numbered in the 500 series
are directed individual study or research.
201.
Bibliography and Methods of Research. Lecture, three
hours.
205A-205B.
Studies in Criticism. Seminar, three hours; outside
study, 18 hours. History, theory and practice of criticism.
Letter grading. 205A: Presentation, discussion, and
application of fundamental currents in aesthetics
and criticism from Plato to our time. 205B: Presentation,
discussion, and application of post-structuralist
approaches to literature, including deconstruction,
new historicism, and feminist criticism.
210.
Studies in Early Italian Literature. Lecture, three
hours; outside study, 18 hours. Topics include origins
in Italian language and study of early texts, Scuola
Siciliana and early poetry of Central and Northern
Italy, and Dolce Stil Novo.
214A-214F.
Studies in Medieval Literature. Lecture, three hours;
outside study, 18 hours.
214A.
La Divina Commedia.
214B.
Dante's Other Works.
214C.
Petrarca's Canzoniere.
214D.
Boccaccio's Decameron.
214E.
Boccaccio's Other Works.
214F.
Variable Topics. Variable-content seminar on themes
and issues of medieval literature, with coverage of
authors such as St. Francis of Assisi or Jacopone
de Todi.
215A-215B.
Studies in 15th Century Literature. Lecture, three
hours; outside study, 18 hours.
215A.
Variable Topics. Variable-content seminar on themes
and issues of 15th century literature, with coverage
of authors such as Pulci or Poliziano.
215B.
Age of Lorenzo dei Medici and Poliziano.
216A-216E.
Studies in the Renaissance. Lecture, three hours;
outside study, 18 hours.
216A.
Machiavelli and Renaissance Political Thought.
216B.
Ariosto and Renaissance Epic.
216C.
Tasso.
216D.
Renaissance Theater.
216E.
Variable Topics. Variable-content seminar on themes
and issues of Renaissance literature, with coverage
of such authors as Vasari, Leonardo, or Benvenuto
Cellini.
217.
Studies in 17th Century Literature. Lecture, three
hours; outside study, 18 hours. Topics include Galileo
and birth of scientific prose, Giordano Bruno, Gian
Battista Marino, and Baroque poetry.
218A-218D.
Studies in 18th Century Literature. Lecture, three
hours; outside study, 18 hours. Letter grading.
218A.
Vico.
218B.
Alfieri.
218C.
Goldoni.
218D.
Variable Topics. Variable-content seminar in themes
and issues of 18th century literature, with coverage
of authors such as Vico or Ludovico.
219A-219D.
Studies in 19th Century Literature. Lecture, three
hours; outside study, 18 hours.
219A.
Foscolo.
219B.
Leopardi.
219C.
Manzoni.
219D.
Variable Topics. Variable-content seminar on themes
and issues of 19th century literature, with coverage
of authors such as Carducci, Tommasco, or Nievo.
220.
Studies in Turn-of-the-Century Literature. (Formerly
numbered 220A-220B-220C.) Lecture, three hours; outside
study, 18 hours. Topics include Verga and verismo,
poetry, prose, and theater of D'Annunzio, Svevo,
the poetry of Carducci and Pascoli.
221A-221E.
Studies in 20th Century Literature. Lecture, three
hours; outside study, 18 hours. Letter grading:
221A.
Variable Topics. Variable-content seminar on themes
and issues in 20th century literature.
221B.
Contemporary Poetry. Analysis of the legacy of two
major figures in Italian poetry from World War II
- Ungaretti and Montale. Thorough examination of movement
and individual poets active in the 1960s and 1970s.
221C.
20th Century Narrative to World War II. The heritage
of the turn-of-the-century narrative pattern (Gabriele
D'Annunzio) and analysis of radical innovations
brought about by such towering figures as Pirandello,
Svevo, Marinetti, etc.
221D.
20th Century Narrative since World War II. In-depth
exploration of some major works by Calvino and others,
with special emphasis on the study of formalistic
modes adopted by the neo avant-garde.
221E.
Pirandello and Contemporary Theater. Thorough reading
of theatrical texts, accompanied by analysis of how
the plays have been realized on stage by important
directors such as Strehler, Ronconi, and the playwright/actors
themselves. Emphasis on ritualistic implications of
the theatrical performance.
222A-222B.
Studies in Italian Historical Grammar. Lecture, three
hours; outside study, 18 hours. Prerequisite: graduate
standing. Letter grading.
222A:
Phonology. Principal sound changes from late Latin
to main Romance dialects.
222B:
Morphology and Syntax. Prime morpho-syntactic changes
occurring between late Latin and main Romance dialects.
223:
Structures of Modern Italian. Descriptive analysis
of basic features of standard Italian from a synchronic,
typology vantage. Topical emphasis may vary annually,
but core progression departs from phonology (e.g.,
syllable types, prosodic patterns, phrasal phonetics),
moves through morphologic constituents, passing to
sentence sequences (coordination, ellipses, etc.).
224:
Italo-Romance Dialectology. Differentiation of Late
Spoken Latin into the myriad varieties spoken in Italy.
Attention also given to discrete language types, e.g.,
Sardinian, Ladino, Friulian, and Franco-Provencal.
Presentday socio-linguistic pressures also considered.
225:
Cultural History of the Italian Language. Historical
survey of development of the Italian language from
medieval times to unification of the country in 1861.
Questione della lingua general acceptance of
Florentine speech, and its evolution into the national
language.
M230A-M230B.
Folk Tradition in Italian Literature. (Same as Folklore
M230A-M230.) Lecture, two hours.
250A-250D.
Seminars: Dante. Seminar, three hours.
251.
Seminar: Petrarch. Seminar, three hours.
252.
Seminar: Boccaccio. Seminar, three hours.
253A-253B-253C.
Seminars: Chivalric Poetry in Italy. Seminar, three
hours. Relationship between the genre and its French
medieval sources, with study of its evolution in Italy
through Pulci, Boiardo, Ariosto, and Tasso.
254.
Seminar: Machiavelli. Seminar, three hours.
255A-255B.
Seminars: Baroque. Seminar, three hours.
256A-256B.
Seminars: 18th Century. Seminar, three hours.
257A-257B.
Seminars: Romanticism. Seminar, three hours.
258A-258B.
Seminars: Contemporary Italian Literature. Seminar,
three hours.
M260A.
Alternative Perspectives in Italian Culture. Studies
of Folk Tradition in Italian Literature. (Same as
Folklore M261.) Lecture, three hours; outside study,
18 hours. Open to undergraduates with consent of instructor.
The conspicuous diversity animating Italian society
articulated through class, genres, and ethnolinguistic
groups to be studies across a range of texts, some
selected from literary canon, but others purely oral
(tales, songs, proverbs, cures and curses, secular
and ritual drama).
260B.
Women in Italian Culture. Lecture, three hours; outside
study, 18 hours. Prerequisite: graduate standing.
Conditions of women within Italian society, with concentration
on specific works produced by women and/or representing
women's conditions in either medieval/Renaissance
or contemporary time. Letter grading.
MC.
Studies in Italian Cinema. Lecture, three hours; outside
study, 18 hours. Prerequisite: graduate standing.
Italian cinema compared with other Italian European
countries' and Hollywood's cinema, with focus
on its development from its origins through Fascist
times to neorealism, its legacy, different genres,
and contemporary scene. Letter grading.
298.
Variable Topics in Italian Studies. Lecture, three
hours; discussion, one hour. Prerequisite: graduate
standing or consent of instructor. Seminar focusing
on themes and issues outside the uniquely Italian
literature topics covered in regular departmental
graduate courses.
370.
Problems and Methods in Teaching Italian. Lecture,
two hours.
375.
Teaching Apprentice Practicum¸ (1 to 4 units). Preparation:
apprentice personnel employment as a teaching assistant,
associate, or fellow. Teaching apprenticeship under
active guidance and supervision of a regular faculty
member responsible for curriculum and instruction
at the University. May be repeated for credit. S/U
grading.
495A-495D.
Teaching Italian at College Level (2 to 4 units).
Prerequisite: consent of instructor.
495A.
Techniques in Teaching Italian Literature.
495B.
Techniques in Teaching Italian Culture.
495C.
Techniques in Teaching Italian Conversation.
495D.
Techniques in Teaching Italian Film.
501.
Cooperative Program (2 to 8 units). Prerequisite:
consent of UCLA graduate advisor and graduate dean,
and host campus instructor, department chairs, and
graduate dean. Used to record enrollment of UCLA students
in course taken under cooperative arrangements with
USC. S/U grading.
596.
Directed Individual Studies (2 to 12 units). Within
the first two weeks of the term, the student must
present a 4-5 page proposal with a reading list for
the course. Weekly assignments or a 20-page research
paper are required. S/U grading.
597.
Preparation for M.A. Comprehensive Examination for
Ph.D. Qualifying Examinations (2 to 12 units). S/U
grading.
599.
Ph.D. Research and Writing (2 to 12 units). May be
repeated. S/U grading.
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